By Ochiaka Ugwu
The rhythmic performance of K-POP took centre stage in Abuja, as the Korea Cultural Center, Nigeria (KCCN) in collaboration with Leandrecords, hosted “K‑Music Production × Afrobeats Masterclass and Live Stage” between February 2 and 5.
In a statement released by KCCN in Abuja, it noted that KCCN Director, Jeon Ju‑ho in partnership with Leandrecords, successfully held the “K‑Music Production × Afrobeats Masterclass and Live Stage” from 2 to 5 February at the Center’s studio in Abuja.
According to the statement, “The project marked a pioneering initiative introducing a K‑Pop‑based music production system and structured professional training curriculum to Nigeria, moving beyond a one‑off performance format toward a practical and sustainable exchange model.
“Designed as a step‑by‑step production pipeline reflecting real music‑making processes, the programme combined education, collaborative songwriting, and live performance.
“The masterclass on 2 February featured Korean producers Lee Han‑eung and Seo Yena, who provided in‑depth lectures on the K‑Pop production structure, composition, and arrangement techniques, alongside listening sessions and consultations with Nigerian artists Atela and Bima.
“On 3 and 4 February, selected local artists joined a Song Camp format to develop concepts and co‑create original tracks, fostering intensive artistic collaboration between the two countries.
“The project culminated on 5 February with the Live Stage: “K‑Music Production Meets Afrobeats,” where a collaborative performance by Afrobeats artist FirstKlaz and the Korean producers was unveiled to the audience. “The stage demonstrated the creative synergy between Korea’s systematic production approach and Nigeria’s dynamic Afrobeats rhythms. Notably, the incorporation of both Yoruba and Korean lyrics highlighted the cultural depth of the collaboration and signaled the potential for future joint music releases.” the statement read in part.
Echoing these sentiments, Producer Lee Han‑eung noted, “We witnessed the powerful synergy created when Nigeria’s exceptional sense of rhythm meets Korea’s structured producing system. This collaboration confirmed not only artistic exchange, but also the potential competitiveness of future co‑produced music content.”
Director Jeon Ju‑ho of the Korean Cultural Center Nigeria stated, “Building on this momentum, the Center will continue to facilitate structured exchange programmes connecting Korean production expertise with Nigerian artists. Through masterclasses, collaborative workshops, and live showcases, we aim to strengthen the foundation for long‑term cultural and creative industry cooperation between Korea and Nigeria” the statement concluded.
However, K-POP had served as a powerful testimony to the deepening “People-to-People Contact” diplomacy between the two nations.
Nigerians had described K-POP as more than a music, but a rhythm that illuminates the soul and binds peoples together, enduring bridge of friendship,” blending philosophy, discipline, learning and humility into a universal culture of mutual respect.
K-POP aligns seamlessly with the aspirations and yarning of Nigerian youth and has become a strategic driver for cultural fusion, tourism, and global influence.
The event highlighted the grassroots growth of K-POP, particularly in Nigeria, where young practitioners were increasingly acting as cultural ambassadors.
Nigerians noting that sustaining the momentum requires more than just passion, had made direct appeal to the Korean corporations including companies like LG and Samsung to provide corporate sponsorship for KCCN to achieve more in deepening Korean Culture in Nigeria.
